The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
陆峰回想着道：记不太清楚了。两个亿，用一年两百万？黄友伟笑了起来，说道：你把这两个亿存银行，依照现在的利率都不止两百万，跟着招商引资的力度加大，当地银行的压力很大。我先来的啊，你不能拿着我的钱，去补贴其他企业吧！陆峰叫了起来。什么叫你的钱？电影:剧情片
发行年份：1969
首映地区：英国
导演：大卫·格瑞尼
演员：珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
更新时间：2024-07-23 05:31
有哪些主要角色在《倒计时》中扮演重要角色？
答：主要角色如父母、子女和亲戚等扮演关键角色，展现他们之间的关系和冲突。
倒计时影片视频主流清晰度主要分为高清完整版在线免费观看（高清）、1080P（全高清）、全集资源（蓝光）、高清完整版（720P）、超高清 （星辰影院）、完整版 （策驰影院）、未删减下载 （HB蓝光）请大家根据自己手机分辨率选择免费在线观看相关影院视频。
同时风车动漫网提供电影倒计时全集,高清,未删减,完整版,在线观看,倒计时手机免费观看,风车动漫网从互联网自动收集了精彩电视剧《倒计时》片源供广大影视爱好者分享，请大家支持正版电视剧。想看更多的相关影视作品，请复制收藏我们的播放地址：http://sdbeishang.com/shang/1724-0-0.html以便日后免费在线观看全集完整版。
倒计时电影免费观看,倒计时电影免费在线观看,倒计时电影免费观看完整版,倒计时电影全集高清免费播放,倒计时电影免费观看全集完整版,倒计时电影在线观看免费,倒计时电影大结局免费观看，倒计时
Copyright ©风车动漫网（sdbeishang.com） 2015-2026 All Rights Reserved
